Works as a superb adaptation of Sonic Adventure 2 and the most refined Sonic film installment to date.
September 5 is so wrapped up in trying to be apolitical with this pivotal moment in media journalism history that it forgot to instill humanity or a moral compass.
So long Sony Marvel Universe, don't let the door hit you on the way out.
The War of the Rohirrim, proves that Middle Earth is gorgeous in all mediums, even though it's bottled in a rather underwhelming tale.
Artistic approach aside, I find Queer to be Guadagnino's most inventive and confident work to date.
This is a role we have never seen Pamela Anderson in before, and she is razzle-dazzling throughout.
And they were r-whoaoaoaoaaaaoooooo-mates.
What if I told you that one of the year’s finest dramas takes place in a remote Italian mountain town set in 1944?
an overpriced dreck of a Christmas movie devoid of Yuletide cheer.
New: Festival & Awards
Let’s look at what the official Golden Globes nominees were, where I missed, and what this all means for the rest of the awards season.
The upcoming Oscar race for Best Animated Feature is set to be the most diverse group of nominees since 2009.
Sean Baker's Anora is a remarkable portrait of the American dreamers and go-getters of the Gen-Z kind.
Sheer absurdism at its finest and with the lowest of budgets
Has an underground 90s indie sleaziness, like a rare VHS you’d pick up at a Kim's Video store.
By far the best animated feature you'll see this year
An overindulgent production that would be better off as an episode of Drunk History or Documentary Now
Latest Letterboxd Logs
Artistic approach aside, I find Queer to be Guadagnino's most inventive and confident work to date.
This is a role we have never seen Pamela Anderson in before, and she is razzle-dazzling throughout.
What if I told you that one of the year’s finest dramas takes place in a remote Italian mountain town set in 1944?
Like ‘Homeward Bound’ in a biblical sense, but with no dialogue and GameCube-era cel-shaded textures.
Sean Baker's Anora is a remarkable portrait of the American dreamers and go-getters of the Gen-Z kind.
An overindulgent production that would be better off as an episode of Drunk History or Documentary Now
Morgan Neville's Pharrell-centered docis a beautifully animated experience, despite surface-level storytelling from its subject.
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I’m glad Barry Jenkins got his bag, though.