'The Princess' Review: Hail to the King, Baby
Essentially The Raid for those who thought Princess Fiona didn’t fuck up as many people as she should’ve in the Shrek films.
'Wes Schlagenhauf Is Dying' Review: No More COVID Indie Comedies Please | Tribeca 2022
Critics are tired. Audiences are tired. We’re all tired.
'The Year Between' Review: Alex Heller's Debut Feature Plays Bipolar by the Numbers | Tribeca 2022
The Year Between is an impressive debut for Alex Heller as an actress and storyteller.
'TÍU' Review: An Intimate Jam Sesh With Of Monsters and Men | Tribeca 2022
If you're a die-hard Of Monsters and Men fan, this doc is strictly for you.
'Lightyear' Review: To Infinity and a Yawn
Man, what kind of dull kid Andy must’ve been to obsess over Buzz Lightyear when Sox is the best boy.
'Tahara' Review: Teen Awakening at a Funeral
Your friendship with your toxic bestie is all fun and games until you start messing with their feelings.
'Crimes of the Future' Review: David Cronenberg Returns With a Reflective yet Unfocused Horror Flick
His diehard fans will love this and while I appreciated certain moments, I wish it offered more to make me go that extra mile.
'The Bob's Burgers Movie' Review: The Belcher's Big Screen Debut is Delightfully Delish
A loving film adaptation that knows their key demographic and gives them a theatrical buffet of a good time.
'Chip 'n Dale: Rescue Rangers' Review: Meta Disney Reboot Sets a Fun Open Roast to Animation
Disney sent the wrong Multiverse of Madness to theaters.
'Doctor Strange in the Multiverse of Madness' Review: More like Multiverse of Mid-ness, Right?
Good Sam Raimi movie, worst MCU narrative yet.
'Top Gun: Maverick' Review: Touching Tom Cruise Sequel Soars Past its Predecessor at Mach Speed
Truly a great movie that takes your breath away.
'Men' Review: Alex Garland's Visceral Folk Horror Flick on Masculinity is Sadly Surface Leveled
Garland delivers the trademarked “A24 elevated horror” for Men and hits all the checkboxes you’d expect it to.