‘Oh, Hi!’ Review: Molly Gordon Puts Logan Lerman Through Misery in Sophie Brooks' Dark, Saucy Situationship Rom-com | Sundance 2025
Now to watch every girl trick their situationship in a cabin in the woods and leave them chained. As they should.
‘Magic Farm’ Review: Amalia Ulman's Stylish, Witty Satire Sees American Journalists Stranded in Argentina | Sundance 2025
Like a long episode of It's Always Sunny in Philadelphia if the gang were millennials.
'Sunfish (& Other Stories on Green Lake)’ Review: Sincere Anthology Flick Hoists a Strong Debut For Sierra Falconer | Sundance 2025
This was so sweet, I wish Michigan were real.
'One of Them Days' Review: Keke Palmer and SZA Rebirths the Cozy Mid-Budget Studio Buddy Comedy
A delightful, cozy buddy comedy caper with the right amount of raunch and heart.
‘A Complete Unknown‘ Review: Timothée Chalamet Rocks in Rather Restrained Bob Dylan Biopic
Adheres to the conformity of the music biopic format in all its Wikipedia-page-turned-screenplay characteristics.
'Mufasa: The Lion King' Review: Photorealistic Lion King Prequel Contains a Minor Roar
I’m glad Barry Jenkins got his bag, though.
'Sonic The Hedgehog 3' Review: The Blue Blur's Best Movie Yet
Works as a superb adaptation of Sonic Adventure 2 and the most refined Sonic film installment to date.
‘September 5’ Review: Newsroom Thriller About the Munich Massacre is Well Made Yet Ill-Timed
September 5 is so wrapped up in trying to be apolitical with this pivotal moment in media journalism history that it forgot to instill humanity or a moral compass.
‘Kraven the Hunter’ Review: Lame Spidey Spin-off Can’t Hunt Enough to Justify its Existence
So long Sony Marvel Universe, don't let the door hit you on the way out.
'The Lord of the Rings: The War of the Rohirrim' Review: A War It Was, Indeed
The War of the Rohirrim, proves that Middle Earth is gorgeous in all mediums, even though it's bottled in a rather underwhelming tale.
'Queer' Review: Guadagnino Explores Esotericism With a Poignant, Homoerotic Portrait of Relationships
Artistic approach aside, I find Queer to be Guadagnino's most inventive and confident work to date.